[Oh, god damn it. Her mouth tightens, because yes, she knows exactly what he's doing, thank you, he's not being cute--
--and maybe it'd die there, but he gets up. Cold air rushes in, sharply slipping beneath her skirt and stinging, and that combined with her embarrassed irritation means she's impetus enough to move.]
That can't possibly be your real fear.
[It's tart. She's no real plan once she's standing before him, no real thought beyond a familiar, unconscious urge to never be the one shown up. So she takes his hand, her palm cradling his, and realizes in that moment that she wants to conduct an experiment.]
So what is your motivation? [Beyond being an ass to her.] Are you looking to impress someone there?
[She glances up at him, eyebrows raised expectantly. And the fingers of her free hand slide against his palm just once, as she watches to see if he'll react.
He is a man, after all. And they're so easy to trip up once you know how their minds work.]
[He wasn't even expecting her to get up, let alone, uh, whatever that was. What was that? There's no way she meant for that to come off as suggestive as it was—except, Rosalind is such a precise person, and she is the one who Baby It's Cold Outside'd him. Jesus, is this all an elaborate ploy to— oh, wait, duh, she's messing with him.
Obviously.
He swallows, and, oh right, he also said "yes" to her question for literally no reason beyond sheer panic. Over her messing with him.
Which, she was. Obviously.]
You fell right into my trap, too. It's less about impressing you and more about conning you into playing out a movie trope. Next, you gotta get handsy and be ridiculously fussy about every move I make.
[Yeah, sure, he's still spouting shit off at a pitch that betrays the smoothness of that recovery, but a lot has happened in the past few seconds.]
[He pulls his hand away, turning to grab for his tablet just because it's the first excuse he can think of. He vaguely makes like he's scrolling for a new song.]
You started it. If I would've pulled that same move on you, you'd have flipped, too.
[He surely did not mean to implicate himself in that last bit, but he said what he said.]
[Oh, god, what a beautiful victory. Rosalind willingly takes a step back, smirking-- and then another, turning to walk away as he scrolls for another song. Little previews burst in her ears before he skips, and it's fascinating for a woman more used to records.]
Here.
[She returns to him, carrying two sawed off lengths of wood. They're ostensibly for propping up one of her experiments, but they're also a decent size for substitute swords.]
Take it. I'll show you how to fight properly, I can do that much.
[And just in case, she reaches past him, gently batting his fingers away. The next song plays as Rosalind takes a step back, holding her sword up.]
no subject
Oh, good!
[Newt wriggles out from under the blankets to stand up, waving for Rosalind to join him.]
You gotta teach me. I can't look like a total idiot when I show up for Javert's fight club.
[ :) ]
no subject
--and maybe it'd die there, but he gets up. Cold air rushes in, sharply slipping beneath her skirt and stinging, and that combined with her embarrassed irritation means she's impetus enough to move.]
That can't possibly be your real fear.
[It's tart. She's no real plan once she's standing before him, no real thought beyond a familiar, unconscious urge to never be the one shown up. So she takes his hand, her palm cradling his, and realizes in that moment that she wants to conduct an experiment.]
So what is your motivation? [Beyond being an ass to her.] Are you looking to impress someone there?
[She glances up at him, eyebrows raised expectantly. And the fingers of her free hand slide against his palm just once, as she watches to see if he'll react.
He is a man, after all. And they're so easy to trip up once you know how their minds work.]
no subject
Yeah! —What? I mean, uh. Yep, you caught me.
[He wasn't even expecting her to get up, let alone, uh, whatever that was. What was that? There's no way she meant for that to come off as suggestive as it was—except, Rosalind is such a precise person, and she is the one who Baby It's Cold Outside'd him. Jesus, is this all an elaborate ploy to— oh, wait, duh, she's messing with him.
Obviously.
He swallows, and, oh right, he also said "yes" to her question for literally no reason beyond sheer panic. Over her messing with him.
Which, she was. Obviously.]
You fell right into my trap, too. It's less about impressing you and more about conning you into playing out a movie trope. Next, you gotta get handsy and be ridiculously fussy about every move I make.
[Yeah, sure, he's still spouting shit off at a pitch that betrays the smoothness of that recovery, but a lot has happened in the past few seconds.]
no subject
Is that really the phrasing you wished to use, or are you still panicking?
[She's not even hiding her amusement.]
no subject
[He pulls his hand away, turning to grab for his tablet just because it's the first excuse he can think of. He vaguely makes like he's scrolling for a new song.]
You started it. If I would've pulled that same move on you, you'd have flipped, too.
[He surely did not mean to implicate himself in that last bit, but he said what he said.]
no subject
Here.
[She returns to him, carrying two sawed off lengths of wood. They're ostensibly for propping up one of her experiments, but they're also a decent size for substitute swords.]
Take it. I'll show you how to fight properly, I can do that much.
[And just in case, she reaches past him, gently batting his fingers away. The next song plays as Rosalind takes a step back, holding her sword up.]
Go on.
Raise your sword, Newt.